Reference: Hassrick, Peter H., and Melissa J. Webster. Frederic Remington, a Catalogue Raisonne, Vol. 2, 1995

Illustrations:

Natastale, 1896-1897

Noonday Tea (In the Lone Land, altern., Noon-Day Tea, as illus.) (see: 1895) (missing image)

Old Colt’s Revolver, 1838, c. 1896

“On Snow Shoes to the Barren Grounds,” untitled, headpiece, Indian hunter and caribou (see: 1895) (missing image)

On the Shore of the Tank—Morning, 1896

Over the Hurdle with a Cut at the Leather Head, c. 1896

Padding the Wounded British Officer (Captains Roger’s Ranger, altern.), 1896-1897 (photograph of Remington painting)

Paying the Indians for the Cherokee Strip—Scenes around the Government Paymaster’s Quarters, c. 1896

Pen Drawing (see: Untitled, head of cowboy, 1895) (missing image)

Picking up the Handkerchief, c. 1896

Pierre (see: Pierre from Life, 1889-1890) (missing image)

A Practice March in Texas, 1895

Prisoners Drawing Their Beans (The Mier Expedition: The Drawing of the Black Bean, altern.), 1896

Pursuing the Indians (Guarding the Supply Train, altern.), c. 1896

The Pursuit, 1896-1897

The Rabbit Hunt (The “Rabbit Camp”, as illus.) (see: 1895) (missing image)

A Real Camp, 1896

Rough Water, 1896

The Rule of the Road, c. 1896

Running Blue Quail, 1896

Scouts, 1896-1897

Side View, c. 1896

Sioux Warriors (Indian Raid; The Attack, alterns.), c. 1896

Slatin Pasha and His Performing Horse, Plum Pudding, c. 1896

Soldiers Opening Their Veins for Want of Water (After the Skirmish, altern.), c. 1896

“Sour Grapes” (see: 1895) (missing image)

“Spelling” the Dogs (see: 1893) (missing image)

Spring Fishing in Canada—A Good Day’s Sport, c. 1896

The Storming of Ticonderoga, 1896-1897

Untitled, “The Story of a Famous Expedition,” headpiece of frontiersman, c. 1896 (missing image)

Untitled, “The Strange Days that Came to Jimmy Friday,” head of guide, 1896 (missing image)

Study of a Cow Pony, c. 1896

Study of a Vaquero, c. 1896 (missing image)

Sunrise in the Bear Paws, 1896-1897

Supper in the Corral (Camp Pie [sic, should be “Fire”]—Texas, as exh. 1898 Hart & Watson; Camp-fire Texas, as listed in Remington Journal #52), 1896

Surrender of Chief Joseph (The Truce, altern.), c. 1896

A Tame Horse, c. 1896-1898

Tent-Pegging, c. 1896

Texas Rangers, 1896

Texas Rangers Holding Up Chaparral Bandits (Texas Ranger Arresting Chaparral Bandit, as exh. Hart & Watson 1898), 1896

Thanksgiving (see: “White Man’s Big Sunday”—Indian Visitors on Thanksgiving Day, as illus.), c. 1896 (missing image)

Too Big Game for Number Six, 1896

The Troop A Mêlée, Dickel’s Academy (see: The Mêlée, c. 1892) (missing image)

Trying Moments, 1896

Twenty-Five to One (The last Stand, altern.), c. 1896

The Two Opponents Came Nearer, c. 1896

An Unexpected Shot (see: Moose-Hunting—An Unexpected Shot, as illus.), c. 1896 (missing image)

Untitled, “The Blue Quail of the Cactus,” initial-piece for the letter T, hunter with gun, 1896

Untitled, “The Essentials at Fort Adobe,” initial-piece for letter T; Initial Letter—Essentials at Fort Adobe-. Letter T., altern.), 1896-1898

Untitled, Field Flowers, man walking with rifle, c. 1896

Untitled, A Government Mule, c. 1896

Untitled, “How the Law Got into the Chaparral,” sketch of Texas ranger, as illus. A Bearer of Civilization, 1896

Untitled, Jimmy Friday, watercolor sketch, 1896

Untitled, “Massai’s Crooked Trail,” initial-piece, Indian head, c. 1896

Untitled (see: pen drawing of head of cowboy, c. 1896) (missing image)

Untitled, portrait head, 1896-1898

Untitled, “The Story of a Famous Expedition,” headpiece, head of frontiersman, c. 1896

Untitled, “The Strange Days that Came to Jimmy Friday,” head of guide; Head of Man Smoking Pipe, altern.), 1896

Untitled, two hunters, left one aiming rifle at distant deer, c. 1896 (missing image)

Untitled, “Vagabonding with the Tenth Horse,” headpiece, Cossack post; A Cossack Post—Tenth U.S. Cavalry; Cossack-Post, alterns.), c. 1896-1897

Uprising of the Yaqui Indians—Yaqui Warriors in Retreat, c. 1896

Vacquero (The Cowboy, altern.), c. 1896

A Vidette, 1896-1897

“We Awoke Early, Stirred the Fire,--“, c. 1896

“We Struck Some Boggy Ground”, 1896

“White Man’s Big Sunday”—Indian Visitors on Thanksgiving Day (Thanksgiving, altern.), c. 1896

A “Wind Jammer” (Drummer of Infantry, as exh. 1898 Hart & Watson; Drummer-boy, as listed in Remington Journal #52), 1896 (photograph of painting hanging in studio)

A Winner at the Horse Show, c. 1896

Wrapped in Their “Slickers” (Tenth Cavalry-man in Rain, as exhibited 1897 Hart & Watson; Cavalryman in Rain, as listed in Remington Journal #52), 1896-1897

The Yoke, c. 1896